Quintetto pour une Flute, Violon, deux Violes, et Violoncelle, Oeuv. 58 - František Vincenc Kramář (edited by Marek Štryncl)

F. V. Kramář's Quintetto surely contains, typically of the author, features of Haydn's and Mozart's compositional style, which is particularly explicit in the gentle introductory parts of the third and fourth movements where the flute dominates the other instruments. On the whole, however, the separate parts of this Quintetto all play unusually balanced roles within the piece as a whole when compared to other chamber compositions of its time; the six-voice fugato from the beginning of the first movement that recurs later on in the second part of the same movement in a different order of instrumentation can serve as an example testifying this.